
| What's in a Curry? Interdisciplinary Approaches to Indian Food Discourse |
| "There is no order in my garden": The Itineraries of Being and Meaning in Jamaica Kincaid's My Garden (Book): |
| (Post)Colonial History, Personal Stories. Indigenous (Auto)Biographical Writing at the Intersection between History and Literature |
| Psychiatric Fictional Pathography: The Alzheimer's Brain in Lisa Genova's Still Alice and Samantha Harvey's The Wilderness |
| Film Adaptations as Intersemiotic Contact Zones: Edge of Madness by Anne Wheeler |
| The Adaptation of a Novel to Filmic Needs: Thematic Focus in the Subtitles of Two Filmic Versions of Pride and Prejudice |
| A Woman's Voice in Economics: The Dialogic Nature of Vernon Lee's Writing |
| Fantasy in the Context of Interdisciplinarity, or the 'Case' of His Dark Materials by Philip Pullman: Language Matters, Cultural References, and Literary Intertextuality |
| Language Migration across Literature: Jhumpa Lahiri's Italian Self-Quest |
| A Critical Look at Post-First World War England: Annie Vivanti's Naja Tripudians, from Reality to Fiction |
| Consumptive Bodies and Diaphanous Types: The Vanishing Self in George Eliot's Daniel Deronda and Walter Pater's Imaginary Portraits |
| Caribbean World-Makers and Word-Breakers. Rhizomatic Poetics and the Politics of Transcultural Imagination |
| Performing Epic in Contemporary British Poetry: Kate Tempest's Brand New Ancients |