
| Introduction |
| Concevoir une archive cinématographique autour de 1900 |
| Pre-Archival Practices. A Genealogy of the Film Archive in The Netherlands (1910-1919) |
| Inventing a Past, Imagining a Future. The Discovery and Institutionalisation of Film History in the 1930s |
| Images, Traces, and Narrative Imagination: Documentary Approaches to Archive Memory |
| Le Médium est l'archive |
| Le Médium est l'archive |
| Documentality of Film |
| The Film Archive, the Archive as Film |
| What Is Our Historical a priori? The State as Common Sense and the Forgotten Municipal Archive |
| The Construction of a Political Memory in The Palace and the Fortress: Outlining the Use of the Archive in Making a Film on Populism in Post-Revolutionary Russia |
| The Archive and Its Silences |
| Archive/Missing. No(Body's) Images? Reflections on Argentinian Dictatorship (1976-1983) and on Its Visual Recollection |
| Archive/Missing. No(Body's) Images? Reflections on Argentinian Dictatorship (1976-1983) and on Its Visual Recollection |
| Pratiques d'archive et mémoire de Pieds-noirs. Web, cinéma (et littérature) |
| Pratiques d'archive et mémoire de Pieds-noirs. Web, cinéma (et littérature) |
| Le Cinéma comme espace épigraphique |
| The Sin of Repetition |
| Parental Guidance Recommended? Narrative Functions and Cultural Implications of Bollywood's Parent Figures |
| Parental Guidance Recommended? Narrative Functions and Cultural Implications of Bollywood's Parent Figures |
| Popular Tradition, American Madness and Some Opera. Music and Songs in Italian Neo-Realist Cinema |
| Intermediality in the 1950s Italian Film Industry: The Case of the Titanus' Film-Canzone |
| Intermediality in the 1950s Italian Film Industry: The Case of the Titanus' Film-Canzone |
| Projects & Abstracts |