Autori
Casciaro, Raffaele
Calia, Angela
Cerfeda, Mariana
De Santis, Mariachiara
Di Fusco, Giorgia
Fico, Daniela
Fiorentino, Girolamo
Rizzo, Daniela
Stella, Matilde

Titolo
Convergenze interdiscipliari. Studi sulla scultura policroma di età barocca in Italia meridionale: un bilancio e una verifica di metodo / Interdisciplinary Convergencies. Studies on polychrome sculpture of the Baroque age in southern Italy: a balance sheet and methodological verification. = Interdisciplinary convergencies. Studies on polychrome sculpture of the Baroque era in southern Italy: a balance sheet and methodological verification
Periodico
Il capitale culturale
Anno: 2024 - Fascicolo: N. 30 - Pagina iniziale: 219 - Pagina finale: 264

Three painted wooden sculptures from the Baroque period, two of which are unpublished, have been studied with a multidisciplinary approach which has made it possible to trace their production context despite the scarcity of archival documents. Diagnostic investigations and restoration have contributed, together with bibliographic and philological research, to defining their provenance, patronage and autorship. The oldest, a small full-length Ecce Homo, can be clearly traced back to an industrious workshop in Naples in the first decades of the seventeenth century. A bust of another Ecce Homo dated 1674, in addition to rediscovering the precious estofado polychromy with the restoration, with the axial tomography revealed the author's signature in a cartouche positioned in a cavity. Finally, the attribution to Giacomo Colombo of a small size Saint Onuphrius found support in the analysis of the technique of joining the wooden dowels.



SICI: 2039-2362 (2024)N. 30<219:CISSSP>2.0.ZU;2-Z

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