
| A Biojuridical Reading of Dracula |
| Borghesi e mercanti. La nuova società capitalistica in "The Merchant of Venice" di William Shakespeare |
| Ceasar's body in Shakespeare's Julius Caesar: sacralization and de-sacralization of power |
| Dale Berleben. Staging the trials of modernism. testimony and the British modern literarure Consciousness [Recensione] |
| Diritto e letteratura |
| Evil and Art: The Case of William Golding's Free Fall |
| Focus: law, literature and (popular) culture |
| Focus: Shakespeare and the law |
| François Ost, Shakespeare. la comédie de la loi [recensione] |
| The Garden as the Law in the Renaissance: A nature metaphor in a legal setting |
| Gary Watt, Shakespeare's Act of will: law, testament and properties of performance [recensione] |
| The gothic picturesque garden and the historical sense |
| Have we ever been/ Will we still be human? Law and literature faced with the shifting boundaries of humanity and technology |
| How to force the law: video-shocks for road security |
| Iconological subversion of the law in P.D. James's A Certain Justice |
| Immaginazione e conoscenza in "The Infernal Desire Machines of Doctor Hoffman" di Angela Carter |
| The island metaphor in literature and law |
| Jodi Picault's My sister's keeper: new definitions of human dignity in novel and film |
| Judging from experience. Law, praxis, humanities [Recensione] |
| The language of clothing and the law |
| 'Law ands ...' |
| The paradoxes of sin: vengenace as death in Janet Lewis's The wife of Martin Guerre |
| Pier Giuseppe Monateri, Dominus Mundi. Political sublime and the world order [recensione] |
| Power and legitimacy in King Lear, King John, Julius Caesar |
| Romeo and Juliet: the importance of a name |
| Violation of human rights in Holocaust/Post-holocaust era |
| William Golding's Lord of the Flies : the Failure of the Law |