Autore
Marino, Gabriele

Titolo
Ideologies of the Musical Meta-Face: From Thomas Mann to Hatsune Miku. Toward a Post-Computational Amazement
Periodico
Reti, saperi, linguaggi
Anno: 2024 - Volume: 21 - Fascicolo: 2 - Pagina iniziale: 383 - Pagina finale: 394

The paper uses the case of imaginary and virtual musicians to explore the interrelations between sound, music, body, face – or the absence of these elements – and narrative in a semiotic perspective. It proposes a typology of non-existing musicians, delves deeply into the case of the Japanese Vocaloid/teen idol Hatsune Miku, and speculates on a machinic art – including music – that may transcend human comprehension, created for and by machines. «Post-computational amazement» refers to the dissolution of the relationship between creator, performer and audience, envisioning a scenario in which machines are not employed for vicarious work, whether prosaic or aesthetic.



SICI: 2279-7777(2024)21:2<383:IOTMMF>2.0.ZU;2-U
Testo completo: https://www.rivisteweb.it/download/article/10.12832/115550
Testo completo alternativo: https://www.rivisteweb.it/doi/10.12832/115550

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