Autore
Zöller, Günter

Titolo
From Aesthetics to Noetics. Kant’s Negativist and Spiritualist Account of the Sublime and Richard Wagner’s Beethoven Interpretation
Periodico
Estetica
Anno: 2024 - Fascicolo: 3 - Pagina iniziale: 609 - Pagina finale: 623

The contribution relates Kant’s negativist aesthetics of the mathematically and dynamically sublime, as detailed in the "Critique of the Power of Judgment" (1790), to Richard Wagner’s aesthetics of the musically sublime, as presented in his monograph "Beethoven" (1870). The focus is on the negativist character and the spiritualist orientation of the sublime in Kant and Wagner. The first section details the negativist vocabulary and conceptuality of Kant’s account of the sublime in the latter’s aesthetic function of elevating the mind from the sensory to the super sensory. The second section reads Wagner’s account of modern music in his "Beethoven", a work he himself called his «philosophy of music», as a neo-Kantian account of the musically sublime.



SICI: 2039-6635(2024)3<609:FATNKN>2.0.ZU;2-S
Testo completo: https://www.rivisteweb.it/download/article/10.14648/117562
Testo completo alternativo: https://www.rivisteweb.it/doi/10.14648/117562

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