Autore
Zevi, AdachiaraTitolo
La rivincita sulla storiaPeriodico
PsicheAnno:
2025 - Fascicolo:
2 - Pagina iniziale:
579 - Pagina finale:
595The cultural policy of National Socialism was marked by a double and contradictory drive: the persecution of modern art - its artists, collectors, and institutions - and the simultaneous plundering of their works, seized, traded, or appropriated for the collections of Nazi leaders such as Goebbels and Göring. Avant-garde movements from Cubism to Futurism, Dadaism, and Expressionism were denounced as «degenerate art» in the 1937 Munich exhibition, opposed to a «healthy,» traditional, monumental German art. With the invasion of Poland, the looting of Jewish collections coincided with deportation and extermination. Amid the war’s tragedy, figures like Rose Valland preserved countless works later inspiring contemporary artists such as Maria Eichhorn.
SICI: 1721-0372(2025)2<579:LRSS>2.0.ZU;2-G
Testo completo:
https://www.rivisteweb.it/download/article/10.7388/119118Testo completo alternativo:
https://www.rivisteweb.it/doi/10.7388/119118Esportazione dati in Refworks (solo per utenti abilitati)
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