
| Daniela Carpi and Jeanne Gaakeer (eds.)Liminal discourse: subliminal tensions in law and literature. de Gruyter, Berlin/Boston, 2013 [recensione] |
| Defining legal vagueness: a contradiction in terms? |
| Focus: law, literature and (popular) culture |
| For a new semantic of differences: cultural exception and the law |
| Interrelations between law and culture: Iain M. Bank's The player of games |
| Legal liturgies: the aesthetic foundation of positive law |
| Modernity, experience, and the law in The education of Henry Adams |
| State vs. estate: Jane Austen and the law of inheritance |
| True blood: multicultural vampires in contemporary society |
| Violation of human rights in Holocaust/Post-holocaust era |
| Women, property and identity in Victorian legal culture: Wilkie Collins's The woman in white |
| Working at the intersection of the humanities, law and technology: digital humanities and the 'Two cultures' |
| Beth H. Piatote, Domestic subjects: gender, citizenship, and law in native american literature, Yale University Press, New Haven (CT), 2013 [recensione] |
| A bundle of sticks in my garden |
| Focus: Gardens of justice |
| 'He does not love me, nor I he!' The critic's love is of critique, not of law |
| 'The law is a wise serpent': subtxtual subversion in The revenger's tragedy |
| The other otherwise: law, historical trauma and the severed gardens of justice |
| Paul Kearns, Freedom of artistic expression, Hart Publishing, Oxford [recensione] |
| Renaissance actors and lawyers: instability of texts and social trafficking: The comedy of errors |
| The right of free movement as temporal deterritorialization in the landscaped garden |
| The voice of Martha Ray |
| Voltaire's garden |
| Western and post-western mythologies of law |
| Where love do research: public opinion, the theatres, and the 1737 Licensing Act |