
| Beyond words: the politics of language control in Nineteen eighty-four |
| Judging Jo'burg? Fictional architecture and postcolonial cityscape as juridical space |
| Law and the media in Luke Delaney's The jackdaw |
| The legal subject in the society of singularities: prolegomena to the legal type of personalized law |
| Legitimate possession: history, property and literary aesthetic in James F. Cooper's The Pioneers (1823) and Catherine M. Sedwick's Hope Leslie (1827) |
| Online violence as a digital condition: a new cultural habit? |
| The poetics of digital children and designing online democratic deliberations |
| Reproducing an Outside to modernity at the limit of the law of seriality: reading Kawakami Mieko's Breasts and eggs |
| Rethinking tech, reclaiming ourselves: human dignity and human rights in technological age |
| Two models of faith and the law in Paul and the western diaspora |
| Video conferencing platforms (VCPs) and the cohesive distinctveness of legal proceedings |
| Authoring the Nation: Madame de Stael and the literary origins of the State |
| Charles Dickens, Albert Venn Dicey, and Oppeness in the anglosphere |
| The Christian Yar - Still needed? Jahn Keble on the 'co-extensiveness' of Church and State |
| Constitutional theory as literature in the 19th-century anglosphere |
| The end of the Victorian Era: reflections on an Edwardian viewpoint |
| Illustrating the Indian Penal Code: bigamy, the Victorian novel, and the formation of national identity |
| Rethoric and empire: constitutional thought and literature in the 19th-century anglosphere |
| Thoughts, words, and promises: Fides and the legal significance of the inner sphere |
| A tragic photograph: emotional journey of a political spectator |
| We have never been persons! |