Associazione ESSPER
periodici italiani di economia, scienze sociali e storia
periodici italiani di economia, scienze sociali e storia
Textus - 2016
Risultato della ricerca: (32 titoli )
| Archipelagos of Apocalypse in David Mitchell's Cloud Atlas and The Bone Clocks |
Textus - 2016
| "By a Course Never Sailed Before": Exploration and Metafiction in Daniel Defoe's A New Voyage round the World |
Textus - 2016
| "The desert is mute": Spatial and Linguistic Extremes in Nadine Gordimer's The Pickup |
Textus - 2016
| Domesticating the North: Anthony Trollope's Re-writing of Iceland |
Textus - 2016
| An Environmental Venture into the Land of Voss |
Textus - 2016
| "Exotic" people of the North in the Manitoba Museum of Winnipeg |
Textus - 2016
| Extreme Place and Metaphysical Experience: the Australian Desert in Patrick White's Voss |
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| Extreme Places as Sites of Ecological Exploration: Postmodern Wilderness in Margaret Atwood's MaddAddam |
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| "I hope none have miscarried": Letters and the Imaginary Space of the Arctic |
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| "Keep it, Guard it, Care for it": Alan Paton's Cry, the Beloved Country and Environmental Conscience |
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| "Like the End of the World": Samuel White Baker and Charles George Gordon in Central Africa |
Textus - 2016
| Natural History in R.M. Ballantyne's The Coral Island: Shaping Masculinity at the Margin of the World |
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| W.H. Hudson and Bruce Chatwin in Patagonia: The Phantasy of Disappearance |
Textus - 2016
| Cato's Daughter, Brutus's Wife: Portia Agonistes |
Textus - 2016
| Dido in Oxford. William Gager's Ovidian Play in Elizabethan England |
Textus - 2016
| Glimpses of Rome in the Theatre of Richard Brome |
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| "Gods and goddesses - All the whole synod of them!": Shakespeare's References to the Gods in Antony and Cleopatra |
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| Introduction. Ancient Rome and English Renaissance Drama |
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| Julius Caesar, Translatio Imperii and Tyranny in Jasper Fisher's Fuimus Troes |
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| "No matter: let his mangled body lie". Emblematising Ambivalence in Thomas Heywood's The Rape of Lucrece |
Textus - 2016
| Performance Review. Della rovina, di tempo e di bellezza. Shakespeare e il destino di Roma, a Palladium Theatre Production (2016) |
Textus - 2016
| Romish poison: Claudius Tiberius Nero |
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| Speech and Spectacle as Political Participation for Shakespeare's Roman Women |
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| To Act or Not to Act?: Performing the Passions of Cuckoldry in Philip Massinger's The Roman Actor and The Duke of Milan |
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| Adumbrating Word Combination: Metalexicological Description in 18th- and 19th-Century English Grammars for Native Speakers |
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| Current Research Trends in Late Modern English and Prescriptivism |
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| Enchaining Syllables and Lashing the Wind: Samuel Johnson, Thomas Sheridan, and the Ascertainment of Spoken English |
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| The Fictionality of Standard English. Construction of Language Norms in 17th- and 18th-Century Britain |
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| Fixing English in British India: Baptist Missionary Perspectives in Bengal to 1835 |
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| From Lavender Water to Kiss Me, You Dare!: Shifting Linguistic Norms in the Perfume Industry, 1700-1900 |
Textus - 2016
| "Terms of Art and Manufacture": An Early Investigation into Late Modern English Dictionaries of Specialised Discourse |
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| As The Times Goes by: The Codification of (British) English Pronunciation and the Press |
Textus - 2016