
| The aesthetic experience as a characteristic feature of brain dynamics |
| "Aesthetic Primitives": Fundamental Biological Elements of a Naturalistic Aesthetics |
| Beyond the nature-culture dichotomy: a proposal for Evolutionary Aesthetics |
| Compositional Homology and Creative Thinking |
| Early art and the evolution of grounded emotions |
| Epigenesis and Coherence of the Aesthetic Mechanism |
| Foreword |
| John L. Bell: A biographical note |
| Making "art" in Prehistory: signs and figures of metaphorical paleolithic man |
| Making the Difference: John Dewey and the Naturalization of Aesthetics |
| On The Rise of the Aesthetic Mind: Archaeology and Philosophy |
| Phenomenology and Neuroaesthetics |
| Reflections on Mathematics and Aesthetics |
| Reviews & Comments |
| Shared aesthetic starting points? |
| The Aesthetics of Proportion in Hans van der Laan and Leon Battista Alberti |
| Biodiversità: Nuove frontiere della conoscenza |
| Bringing light into darkness |
| Composing the Symbolic |
| Ernst H. Gombrich on Abstract Painting |
| "Far finta", raffigurare, narrare: uno sguardo su Mimesi come far finta di Kendall Lewis Walton |
| The Life of Forms |
| Messianica ratio. Affinities and Differences in Cohen's and Benjamin's Messianic Rationalism |
| L'origine, la ferita |
| The Panofsky-Newman Controversy |
| Under a Starry Vault. Warburg, Jung and the Renaissance of Ancient Paganisms at the Beginning of the 20th Century |
| Vision, Image and Symbol |
| Wandering towards Bruno: synderesis and "synthetic intuition" |