
| Apple Music. La fin de l'histoire? |
| Benjamin, Desnos et la place d'Atget dans l'histoire de la photographie |
| Fisiologia del gesto. Fonti warburghiane del concetto di Pathosformel |
| Foreword |
| "Intermittency: the differential of time and the integral of space. The intensive spatiality of the Monad, the Apokatastasis and the Messianic World in Benjamin's latest thinking" |
| Listening to Music in the Digital Era |
| The musical work in cyberspace: some ontological and aesthetic implications |
| Performances Compared. Sequential replication of the same music piece on an audiovisual file |
| Perspective and Spatiality in the Modern Age |
| Plato on the Stream. Platonism in the Age of Streaming |
| Reviews & Comments |
| Skipping the tracks. The experience of musical improvisation online |
| Aesthetics of Fake. An Overview |
| Animal Flicker |
| Camouflage élargi. Sur l'individuation esthétique |
| Il camouflage nel campo allargato. Variazioni su Disruptive Pattern Material e Dazzle Painting nella cultura visiva contemporanea |
| Clement Greenberg e la Halakah del Modernismo |
| Copie che sono solo la mia (con una nota di Filippo Fimiani) |
| L'estetica del camuffamento animale. Riflessioni sul mimetismo biologico |
| "Être comme tout le monde". Per un'archeologia classicista del mimetismo sociale |
| Mimicry, Ekphrasis, Construction. "Reading" in Freudian Psychoanalysis |
| Protée et Caméléon. Mimétismes, calembours harmoniques et dissociation des formes dans la musique de la Renaissance |
| The Quest for "Authenticity". Three performances of a Bach's fugue compared |
| Reflections on imitation, vocal mimicry, and entrainment |
| Reviews & Reports |
| Setting the Stage for Deception. Perspective Distortion in World War I Camouflage |
| Through the Flat Canvas: The Motor Meaning of Realistic Paintings |