
| The Aesthetics of Marina Abramović: In Conversation with the Artist |
| Aesthetics, theatricality and performativity: an introduction |
| Culture and Affect in Aesthetic Experience of Pictorial Realism: An Eighteenth-Century Korean Literatus' Reception of Western Religious Painting in Beijing |
| Doubt and Indifference: Threshold Conditions within the Work of Art |
| Eating an Onion. Notes on Marina Abramović |
| Foreword |
| From Aesthetic to Epistemic Structures and back: Complex Dynamics between Art and Science |
| From the aesthetic mind to the human cultures: Towards an anthropology of aesthetics |
| From the Extended Mind to the Digitally Extended Self: A Phenomenological Critique |
| Les frontières entre réel et imaginaire à l'épreuve des promenades sonores in situ (Soundwalks) |
| The Geometric Enigma. A Book Symposium |
| Is aesthetic mind a plastic mind? Reflections on Goethe and Catherine Malabou |
| The mimetic creation of the Imaginary |
| Playing with pattern. Aesthetic communication as distributed cognition |
| La ri-creazione della quotidianità: medium, sguardo e costruzione finzionale nella fotografia di Jeff Wall |
| The Sublime in Lutoslawski's Three Poems of Henri Michaux (1961-63) |
| Techno-aesthetic Thinking. Technicity and Symbolism in the Body |
| Theatricality in Installation Artworks: An Overview |