
| History and memory in Italian cinema [Special issue] |
| History and memory in Italian cinema. Introduction |
| Cinema's poetics of history [Nel numero speciale 'History and memory in Italian cinema'] |
| Back for good: melodrama and the returning soldier in post-war Italian cinema [Nel numero speciale 'History and memory in Italian cinema'] |
| Deicides, sacrifices and other crucifixions: for a critical reinterpretation of Italian Holocaust cinema [Nel numero speciale 'History and memory in Italian cinema'] |
| Disappearing acts: disability, gender, and the memory of Fascism in Italian film [Nel numero speciale 'History and memory in Italian cinema'] |
| 'Io so': the absence of resolution as resolution in contemporary Italian cinema about the 'years of lead' [Nel numero speciale 'History and memory in Italian cinema'] |
| A new dawn on the past: rethinking the 'years of lead' through a female-centred cinematic narrative [Nel numero speciale 'History and memory in Italian cinema'] |
| Post-secular identity in contemporary Italian cinema: Catholic 'cement', the suppression of history and the lost Islamic other [Nel numero speciale 'History and memory in Italian cinema'] |
| History and memory in Italian cinema: a virtual roundtable with Robert Gordon, Giuliana Minghelli and Alan O'Leary [Nel numero speciale 'History and memory in Italian cinema'] |
| Space as storyteller: spatial jumps in architecture, critical theory, and literature, by Chiesa Laura [Recensione] |
| The crisis woman: body politics and the modern woman in fascist Italy, by Chang Natasha V. [Recensione] |
| Autobiografia del primo fascismo. Ideologia politica, mentalità, memoria, by Baldassini Cristina [Recensione] |