
| New Women e cinema muto in Europa: immagini, narrazioni e discorsi sociali |
| 'Bubikopf' as New Woman, New Star: Louise Brooks in Weimar Silent Film and Culture |
| Flying into Wedlock at 300 km/h: Gender, Sexuality, and the Modern Woman in Hon, den enda (Isepa, 1926) |
| Liane Mirette, la flapper del cinema muto italiano |
| The New Woman is a Dancer. Asta Nielsen's Screendances as a Vehicle for the Depiction of the New Woman |
| Adoring the new woman: Asta Nielsen's Diverse Fan Base in Germany and Austria-Hungary in the Early 1910s |
| The Genesis of the New Woman: The Case of Mistinguett |
| The New Woman as Dramatic Character in Ekaterina Ivanovna By Leonid Andreev: The Play and Its Adaptation |
| Mrs Thuillier, Mrs Chaumont and Mrs Vallouy, Mothers and Daughters. French Colorists at the Beginning of Cinema |
| La sparizione dell'umano. Le foto di Parigi prima e dopo Benjamin |
| Miley Cyrus: Beyond Gender: (Re)defing Female Identity Through Fashion and Performance |
| Paolo Cherchi Usai, Una passione infiammabile. Guida allo studio del cinema muto (Utet, Torino 2022, pp. 592) [Recensione] |
| Lynn Spigel, TV Snapshots. An Archive of Everyday Life (Duke University Press, Durham and London 2022, pp. 315) [Recensione] |
| Leon Hunt, Mario Bava. The Artisan as Italian Horror Auteur (Bloosmbury, London 2022, pp. 240) [Recensione] |
| Larisa Driansky, Antonio Somaini, Riccardo Venturi, Repenser le mèdium. Art contemporain et cinèma (Institut national d'histoire du réel, Paris-Dijon 2022) [Recensione] |