
| Introduction. Ancient Rome and English Renaissance Drama |
| Cato's Daughter, Brutus's Wife: Portia Agonistes |
| Dido in Oxford. William Gager's Ovidian Play in Elizabethan England |
| Speech and Spectacle as Political Participation for Shakespeare's Roman Women |
| "Gods and goddesses - All the whole synod of them!": Shakespeare's References to the Gods in Antony and Cleopatra |
| Romish poison: Claudius Tiberius Nero |
| "No matter: let his mangled body lie". Emblematising Ambivalence in Thomas Heywood's The Rape of Lucrece |
| To Act or Not to Act?: Performing the Passions of Cuckoldry in Philip Massinger's The Roman Actor and The Duke of Milan |
| Glimpses of Rome in the Theatre of Richard Brome |
| Julius Caesar, Translatio Imperii and Tyranny in Jasper Fisher's Fuimus Troes |
| Performance Review. Della rovina, di tempo e di bellezza. Shakespeare e il destino di Roma, a Palladium Theatre Production (2016) |