
| Introduction. Postcolonial Embodiments in Contemporary Performance |
| "The Freedom of the Thief": Derek Walcott's The Joker of Seville as a Cross-cultural Dialogue with Tirso de Molina |
| "The Real Australian Story": Studying Kullark as a Reassessment of Cultural Identities |
| Black British Women's Theatre in the 1980s and the Politics of Representation |
| Acting Agency in Aotearoa New Zealand: Hone Kouka's and Briar Grace-Smith's Debut Plays |
| Lament as Women's Speech in Femi Osofisan's Adaptation of Euripides' Trojan Women: Women of Owu |
| Embodied Otherness and Hybridity: David Greig's The Bacchae and the Reprise of Ancient Greek Tragedy |
| Embodying Otherness: Nelisiwe Xaba's Fremde Tänze |