
| Introduction: Performing Narrative across Media |
| Adapting 'Real-life' Material: Metatheatrical Configurations of Authorship and Ownership of Story in Contemporary British Verbatim Theatre |
| Dissonant Fabulation: Subverting Online Genres to Effect Socio-Cognitive Dissonance |
| From George Orwell to David Bowie: Performing Dystopian Narratives in the Diamond Dogs Album and Show |
| Hybridised Genres: Accessing Spaces Conventional Biography Cannot Reach |
| Performing Rituals of Self-Narration: Benjamin Zephaniah's Storytelling |
| What is Your Story Now? Life Narrative under Threat in Douglas Coupland's 'Extreme Present' |
| Drama on the Move: Intermedial Dialogue in Caryl Churchill's Love and Information |
| Tim Crouch's 'Transplant': ENGLAND's Performing Narrative in Art Galleries |
| 'Talking Pictures': Digital Storytelling and Performance in Heritage Communication |
| Collage and Decollage: A Multi-Media Approach to Black and Asian British Identity |
| Montage Epic in John Akomfrah's Vertigo Sea: The Politics and Aesthetics of Multiscreen Narrative |
| Of Trees and Flipbooks: Multimedia Wounded Passages in William Kentridge's Second-hand Reading |