
| Foreword |
| Production of Body Knowledge in Mimetic Processes |
| Two Forms of Gesture: Notes on Aby Warburg and Walter Benjamin |
| Visions of the body. Embodied simulation and aesthetic experience |
| Human mimicry and Imitation: the case of Biomimetics |
| Sensible schemes in aesthetic experience. Neuroaesthetics and transcendental philosophy compared |
| Seeing through Plato's Looking Glass. Mythos and Mimesis from Republic to Poetics |
| Dramatic Mimesis and Civic Education in Aristotle, Cicero and Renaissance Humanism |
| Toys as Mimetic Objects. A Problem from Plato's Laws |
| Ideality in Theatre. Or a reverse evolution of mimesis from Plato to Diderot |
| From Abbild to Bild? Depiction and Resemblance in Husserl's Phenomenology |
| To imitate all that is hidden. The place of mimesis in Adorno's theory of musical performance |
| The Organization of Pessimism: Profane Illumination and Anthropological Materialism in Walter Benjamin |
| Osservazioni sull'indipendenza dell'esperienza immediata: da Frege alla "fenomenologia sperimentale" di Paolo Bozzi |