
| Crossroads? Some Remarks on the Future of Law and Literature |
| The Garden as the Law in the Renaissance: A nature metaphor in a legal setting |
| The Matter of Metaphor in Language and Law |
| Reflexions at the Margin of 'Human Rights from a Philosophical Point ofview' by Jeanne Hersch |
| Theatrical Role-Playing, Crime and Punishment in Peter Ackroyd's Dan Leno and The Limehouse Golem (1994) |
| Women's Reproductive Rights: A literary perspective |
| Between Bioethics and Literature: Representations of (post-) human identities in Margaret Atwood's Oryx and Crake and The Year of The Flood |
| A Biojuridical Reading of Dracula |
| Corpus delicti: the evidence of the body as body of evidence in Thomas Hobbes's political imagination |
| In Search of a Legal Identity: Christopher Marlowe's The Jew of Malta |
| Law and Literature: Jewish and Christian models |
| The Vitality of Emotional Background Knowledge in Court |
| Voice and ldentity in the Fairy Tale: Emma Donoghue's Kissing the Witch |
| Voice and ldentity in the Fairy Tale: Emma Donoghue's Kissing the Witch |
| Women's Legal ldentity in the Context of Gothic Effacement: Mary Wollstonecraft's Maria or The Wrongs of Woman and Charlotte Perkins Gilman's The Yellow Wallpaper |