
| 'Behold, I tell you a mystery': tracing Faust's influences on Giorgio Agamben to e from international law |
| The embodiment of law: altered carbon and six wakes |
| Hail the spectator: embodiment, injustice, and film |
| The judgment as revelation |
| A (lay) catholic voice against a national consensus |
| 'The nude man's city': Flavio de Carvalho's anthropophagic architecture as cultura criticism |
| Politics of silence: on autonomous, communicative and aesthetic silences |
| The Casebook of Sir Edward Coke |
| Faithful to the wor(l)d. Visual texts, responsability and the issue of translation |
| From constitutional transitions to the great national transition: a constant and obsinate Italian narrative |
| 'I would prefer not to': a lawyer facing the irresponsible power |
| Performing identies in Bram Stoker's Dracula: the encounter with other between politics, tourism, migration and culture in the late Vctorian context |
| The power without responsability of the gaze. The letter and spirit's eye in the humanities, from the Italian perspective to robot |
| 'Shakespeare's pioneer migrant Othello'. desire, migration, pathology and the politics of citizenship in The nature of blood |
| Taking responsability for the pasts |
| Who watches the watchman? Law diving into 'speaking clouds' |