
| Citation Practices and ELF Writing: A Comparison between Italian- and English-speaking Academics Publishing in English |
| Collocations in Contact: Exploring Constrained Varieties of English through Corpora |
| Complementing and Contradictory Meanings in the Discourse of Environment: The Case of global warming and climate change |
| Diachronic Variation across Genres and Disciplines: The Irish Question in the British Parliament in the Early 20th Century |
| Discourse Markers in English as a Target Language: The Use of so by Simultaneous Interpreters |
| Discourse on Medically Assisted Procreation, from Legal Institutions to Blogs: A Corpus-based Approach to Variation in the Use of Multiword Terms |
| Investigating Englishes with Corpora: An Introduction |
| Lexical Bundles in EMI Lectures: An Exploratory Study |
| Looking for Traces of Mediation in Written Academic English |
| Oral Examinations in EMI: A Focus on Pragmatic Competence |
| Shades of Evaluative Meaning in Web-based Company Communications: The Case of Fashion Brands |
| The Adaptation of a Novel to Filmic Needs: Thematic Focus in the Subtitles of Two Filmic Versions of Pride and Prejudice |
| Caribbean World-Makers and Word-Breakers. Rhizomatic Poetics and the Politics of Transcultural Imagination |
| Consumptive Bodies and Diaphanous Types: The Vanishing Self in George Eliot's Daniel Deronda and Walter Pater's Imaginary Portraits |
| A Critical Look at Post-First World War England: Annie Vivanti's Naja Tripudians, from Reality to Fiction |
| Fantasy in the Context of Interdisciplinarity, or the 'Case' of His Dark Materials by Philip Pullman: Language Matters, Cultural References, and Literary Intertextuality |
| Film Adaptations as Intersemiotic Contact Zones: Edge of Madness by Anne Wheeler |
| Language Migration across Literature: Jhumpa Lahiri's Italian Self-Quest |
| Performing Epic in Contemporary British Poetry: Kate Tempest's Brand New Ancients |
| (Post)Colonial History, Personal Stories. Indigenous (Auto)Biographical Writing at the Intersection between History and Literature |
| Psychiatric Fictional Pathography: The Alzheimer's Brain in Lisa Genova's Still Alice and Samantha Harvey's The Wilderness |
| "There is no order in my garden": The Itineraries of Being and Meaning in Jamaica Kincaid's My Garden (Book): |
| What's in a Curry? Interdisciplinary Approaches to Indian Food Discourse |
| A Woman's Voice in Economics: The Dialogic Nature of Vernon Lee's Writing |
| The Eighteenth-Century Invention of Literary Suspense |
| Inventing and Regulating: The Eighteenth Century between Experiment and System. Preface |
| Irish Gothic: How the Canon Intersects History |
| Joseph Priestley and the Fate of Eudiometry: Debates on Method, Progress, and the Politics of Science |
| "Judicious books enlarge the mind and improve the heart": Literature in Women's Pedagogical Writings in Late Enlightenment England |
| "Odi et Amo": Shakespearean Supernatural Dimensions on the Eighteenth-Century Stage |
| Parliamentary Emotions: Edmund Burke's Experiment against a Monstrous Imperial System |
| Regulating the Eighteenth-Century Periodical Essay: A Poetics from The Tatler, The Spectator and The Rambler |
| Resistance and Experimentation: The Ladies of Llangollen and Enlightenment Ideas of Progress and Improvement |
| The Rise of "the Novel": Naming (and Disciplining) New Fiction in Eighteenth-Century Britain |