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Anno: 2025
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Articolo
Anno: 2024
Want to build a death camp? Call in the lawyers: obtaining legal title to the land for killing camp at Auschwitz
Articolo
Anno: 2023
Worlds falling apart: human and nonhuman in Jeannette Winterson's The stone gods
Articolo
Anno: 2021
Who watches the watchman? Law diving into 'speaking clouds'
Articolo
Anno: 2018
Women, power & the decline of the West: Richard Sherwin's ethical wisdom, Krzysztof Koslowski's Tricolor-Red, & Machiavelli's Mandragola
Articolo
Anno: 2016
'Where the shoe pinches'. True equity in Trollope's The worden
Articolo
Anno: 2015
'What is royalty without a voice?' The performance of power in The king's speach
Articolo
Anno: 2015
The working class goes to the movie: labour law and thatcherism in British films
Articolo
Anno: 2015
war in words: the Tricycle Theatre's re-voicing of the bloody Sunday inquiry
Articolo
Anno: 2015
Weak kings and perverted symbolism. How Shakespeare treats the doctrine of the king's two bodies
Articolo
Anno: 2014
Where love do research: public opinion, the theatres, and the 1737 Licensing Act
Articolo
Anno: 2014
Western and post-western mythologies of law
Articolo
Anno: 2014
Women, property and identity in Victorian legal culture: Wilkie Collins's The woman in white
Articolo
Anno: 2014
Working at the intersection of the humanities, law and technology: digital humanities and the 'Two cultures'
Articolo
Anno: 2013
Weeds in the gardens of justice? The survival of hyperpositivism in Polish legal culture as a symptom/sinthome
Articolo
Anno: 2013
A white tiger in the Indian law jungle: a reading af Aravind Adiga's debut novel
Articolo
Anno: 2012
Women's Legal ldentity in the Context of Gothic Effacement: Mary Wollstonecraft's Maria or The Wrongs of Woman and Charlotte Perkins Gilman's The Yellow Wallpaper
Articolo
Anno: 2012
Women's Reproductive Rights: A literary perspective
Articolo
Anno: 2011
Who Owns Britain? S. T. Coleridge and the National Trust
Articolo
Anno: 2010
