Articolo
Anno: 2018
Textus - fascicolo 2 (2018)
Articolo
Anno: 2018
Adapting 'Real-life' Material: Metatheatrical Configurations of Authorship and Ownership of Story in Contemporary British Verbatim Theatre
Articolo
Anno: 2018
Dissonant Fabulation: Subverting Online Genres to Effect Socio-Cognitive Dissonance
Articolo
Anno: 2018
From George Orwell to David Bowie: Performing Dystopian Narratives in the Diamond Dogs Album and Show
Articolo
Anno: 2018
Hybridised Genres: Accessing Spaces Conventional Biography Cannot Reach
Articolo
Anno: 2018
Performing Rituals of Self-Narration: Benjamin Zephaniah's Storytelling
Articolo
Anno: 2018
What is Your Story Now? Life Narrative under Threat in Douglas Coupland's 'Extreme Present'
Articolo
Anno: 2018
Drama on the Move: Intermedial Dialogue in Caryl Churchill's Love and Information
Articolo
Anno: 2018
Tim Crouch's 'Transplant': ENGLAND's Performing Narrative in Art Galleries
Articolo
Anno: 2018
'Talking Pictures': Digital Storytelling and Performance in Heritage Communication
Articolo
Anno: 2018
Collage and Decollage: A Multi-Media Approach to Black and Asian British Identity
Articolo
Anno: 2018
Montage Epic in John Akomfrah's Vertigo Sea: The Politics and Aesthetics of Multiscreen Narrative
Articolo
Anno: 2018
